Frequency & Perspective

Frequency & Perspective is an immersive exhibition shaped by light, sound, space, and the act of looking. Across much of the exhibition, the exchange happens through perception. Light, color, rhythm, and the intentions embedded in each work meet the viewer’s own attention, memory, and nervous system. Forms emerge, recede, fold, and return as the eye adjusts. In Portal Field, this exchange becomes directly interactive. Sensors allow the generative field to respond to the presence and movement of visitors.

The exhibition began with photographs I made inside the gallery using carefully staged two-point and three-point lighting and specific fields of color. These photographs became the source material for Lumaform and Lumaform II, grounding the generative process in the gallery’s own architecture. As the work developed, I began adding hand-drawn geometry to guide the transitional flow of light and form within the digital video pieces. Photography anchors the work to a physical place. My hand-drawn sacred geometry guides the movement, carrying my intention into each transition. I then worked with generative AI systems to explore how these source images could bend, fold, and reorganize before bringing them back into the gallery through projection.

Lumaform led to Lumaform II, and what I discovered through that process eventually led me to Portal Field. The color, movement, and shifting forms continue, but in Portal Field they begin responding to the people moving through the space. The building’s title, Folding Light, also became part of the process itself. I used the idea of folding light to shape and sculpt the forms as they moved from photography into the digital works.

Prana-Luma connects these visual shifts to sound. Its rising and falling tones directly translate changes in the ambient light into shifts in pitch, heightening awareness of the exhibition’s transitions—particularly around Lumaform, positioned opposite it. Together, light and sound form a shared field that quietly shifts perception, drawing attention to the shadows, reflections, and forms moving through the gallery.